We will continue to explain about
Ratha-yatra, but before that I want to tell you something important
and you should listen carefully. There is a guarantee given by
Krsna, and sastra also confirms this when it says, Vrndavanam
parityajya padam ekam na gacchati Krsna is always in Vrndavana
(Brahmana-samhita, 5.37). He never goes one step beyond Vrndavana.
Does His power, hladini sakti Srimati Radhika, go? Even if Krsna
would go outside Vrndavana, She doesnt go. She will always be there;
neither She nor Krsna will go even one inch out of Vrndavana.
Vrndavana and Mathura are very near to each other, and they
share the same border. There is only a fine line between them, yet
Svayam Bhagavan Sri Krsna cannot go, and Srimati Radhika also
cannot go, to Mathura.
Still, we see that
there is a viyoga, a separation mood. Sri Krsna weeps bitterly in
Dvaraka and Srimati Radhika, in Her separation mood, rolls on the
earth and weeps bitterly in Nandagaon. Since They are always in
Vrndavana, how does this separation mood come? There should not be
any separation mood, yet we see that Srimati Radhika and Her sakhis
feel such intense separation in Nandagaon that they roll down on
the earth, weep bitterly, and do not take any meals. The sakhis
must even test, by placing a cotton swab under Her nose, to see
whether or not Srimati Radhika is alive. Within their minds and
hearts, the sakhis suffer in unbearable separation.
For whom are they weeping? When Sri Krsna Bhagavan went to
Kuruksetra for the meeting which was later celebrated by Sri
Caitanya Mahaprabhu during the Ratha-yatra festival, all of the
Vrajavasis also went there. Srimati Radhika, along with all of Her
sakhis, went there and met with Him. Radhika told Him there, "You
are the same Krsna and I am the same Radha, and this is the same
spring season and We are meeting here, but now I am not happy. I
want to be with You in a nikunja (secluded grove) on the shore of
the Yamuna, where the peacocks dance and cuckoos sing. I want to meet
You in that beautiful sweet Vrndavana, where there are very
fragrant kadamba trees and the breeze of Yamuna. There are no
controllers there no father, mother, or anyone else like them in
that kunja; only My sakhis are there, in parakiya mood. Who is
lamenting there, in Kuruksetra?
Another question
may arise. Rohini-nandana Rama (Balarama) is always with
Yasoda-nandana Krsna. He also cannot go an inch from Vrndavana. So
who is that Sri Baladeva who went to Mathura with Lord Krsna? Who
is that Sri Krsna and Baladeva? After spending some time in
Mathura, Baladeva went with Krsna to Dvaraka-puri; so who is that
Sri Baladeva and Sri Krsna who went to Dvaraka? Rohini-nandana
Rama will not go an inch out of Vrndavana. He is always with
Yasoda-nandana, Radha-kanta Krsna. So who is there in Dvaraka
making Bhagavan Krsna weep (as described in both Srimad Bhagavatam
and Brhat Bhagavatamrta). Lord Krsna wept so much that He fainted.
Who is that Lord Baladeva? There are so many questions in this
regard.
I think that most devotees will not
be able to understand this subject, even if I continually speak
about it. Only a high class of devotee can realize something and
yet I am explaining it. I dont know why I am telling you this.
This is my bad habit. I want to forget management and other
external activities. I want to immerse myself and weep bitterly
like the gopis do for Krsna. I want to serve Srimati Radhika and be
very happy to control Krsna. I want that She will order me, "Be at
the door of the kunja and don't let Krsna come in." These pastimes
are in my heart.
Srila Visvanatha Cakravarti
Thakura and Srila Rupa Gosvami have given an indication, an
outline, explaining who they are, in reply to these questions. If
They would go out of Vrndavana, then sastras (the scriptures)
guarantee cannot be kept and all sastra will be false. Also,
regarding Mathura, sastra states: yatra nityah sannihito harih
Hari is always in Mathura. If He never goes out of Mathura,
who was in Vrndavana and who came from Vrndavana to Mathura?
The same thing has also been told for Lord Dvarakadhisa Krsna: He
never goes out of Dvaraka; He always resides there. All these
truths are very mysterious.
You should know
that Yogamaya Paurnamasi is very tricky; she can perform magic.
She is an expert magician, but who is she? She is simply the wish
of Krsna. Krsnas wish becomes Srimati Paurnamasi devi.
Controlled by Himself, Krsna is dancing. He is dancing, Radha is
dancing, and all the Vrajavasis are dancing under the control or
indication of Yogamaya as puppets dance according to the
puppeteer. An ordinary person in the audience cannot see how the
puppet is dancing. Similarly, Sri Krsna, Srimati Radhika and all the
Vrajavasis, and also Dvarakadhisa and Mathuresa and all their
associates are dancing by the indication of Yogamaya Paurnamasi.
Now we will return to the point. Sri Krsna
and Srimati Radhika never go out of Vrndavana, so why are They
feeling separation? Who did Uddhava see with his own eyes in
Nandagaon? She is Viyogini Sri Radha. Who met with Lord Krsna in
Kuruksetra and was weeping and wanted to bring Him from Kuruksetra
to Vraja? She is Samyogini Radhika. She and Sri Krsna were meeting
after a long time, and She is therefore called Samyogini. When She
manifests as Viyogini, She is in Nandagaon and feeling separation
from Krsna when He is not in Vrndavana.
When
Srimati Radhika has expanded as Viyogini and Samyogini, She is
in Vraja, and Krsna is in Vraja, but in a hidden way. There in
Nandagaon, Viyogini Radhika always laments. All gopis lament
there, but She especially So who will be meeting with Sri Krsna in
Vraja? Vrsabhanu-nandini Radhika Herself. The Radhika who feels
great separation for Krsna is Viyogini Radhika. The Radhika who
meets with Him in Kuruksetra after a long time, but was not
satisfied and thus wanted to bring Him to Vrndavana and who brought
Him on the chariot of Her heart is called Samyogini Radhika. In
the same way, Krsna, that is, Nanda-nandana Yasoda-nandana
Radha-kanta, is always in Vrndavana.
Who goes
to Mathura? Vasudeva-nandana goes to Mathura. In Mathura and
Dvaraka, Krsna is Viyogi Krsna, and the Krsna who went to Kuruksetra
is Samyogi Krsna. Viyogi Viyogini, Samyogi Samyogini.
And what about Sri Baladeva Prabhu? He is the
son of Rohini-nandana, He never goes out of Vrndavana, and he is
always with Krsna. Who is the Baladeva Prabhu that goes to
Mathura and Dvaraka? He is Devaki-nandana, not Rohini-nandana. One
can say that he was first in the womb of Devaki and went to Rohini
Maiya as Sankarsana. The Baladeva Prabhu who was in Mathura is
Devaki-nandana, and the Baladeva Prabhu who was in Vrndavana is
Rohini-nandana. Baladeva Prabhu is the amsi, the complete
personality from who others expand. He and his other two
manifestations are different by nature. When He is in Vrndavana he is
Rohini-nandana Himself, the origin of all. So who is in Mathura
and Dvaraka? He is Devaki-nandana, and he is also known as
mula-Sankarsana. When he goes to Dvaraka He becomes Mula
Sankarsana, and in Vaikuntha he becomes Maha-Sankarsana., and when
He manifests on the Causal Ocean, he becomes Maha Visnu or
Karanadakasayi-Visnu from whom the tatastha jivas emanate After
that he becomes Garbodakasayi-visnu and at last he becomes
Khirodakasayi-visnu. And each incarnation has so many functions.
You should know all these truths and then you will be able to
understand this class; but I think that when you leave class you
will forget what I am telling you. Try to know these teachings;
otherwise you will mix all the information in a hodgepodge.
In the same way, Sri Gaurasundara, Sacinandana
Gaurahari, is Sacinandana in Gaura-mandala, Sri Navadvipa-dhama
When He goes to Puri, then, in the mood of Viyogini Radhika, He is
always lamenting and weeping. Then, when He goes to Godavari and
Sundaracala the place of Gundica mandira He becomes like
Samyogini Radhika. At that time, during the Ratha-yatra festival,
in the mood of Srimati Radhika, He is weeping and dancing and
singing when He again meets that prananatha, Lord Jagannatha. You
should note down these truths in your heart and then do
bhajana.
gaura yadi pache cale, syama haya
sthire
gaura age cale, syama cale dhire-dhire
[When Caitanya Mahaprabhu was dramatically enacting the
song, He would sometimes fall behind in the procession. At such
times, Lord Jagannatha would come to a standstill. When Caitanya
Mahaprabhu again went forward, Lord Jagannatha's car would slowly
start again. (Madhya 13.119)]
When Sri
Caitanaya Mahaprabhu was dancing in front of the chariot, Lord
Jagannatha would slowly move forward. He would watch the dance
very happily with a side long glance. On the other hand, when Sri
Caitanya Mahaprabhu danced behind, Jagannatha would stop, and think,
"Why should I go? For whom should I go?"
Ratha-yatra continued, and here, Sri Krsna as Sri Caitanya
Mahaprabhu was in the mood of Samyogini Radhika feeling separation
though meeting. He was singing continually and very happy as he
was bringing Jagannatha deva to Gundica. He became tired from
dancing for a long time, but still He continued. Sri Svarupa
Damodara and Sri Raya Ramananda saw that He was tired, and thought,
We should give Him a rest. They stopped the chariot and desired
that He take rest in the garden of Jagannatha.
Sri Svarupa Damodara told the head pujari and others that
anyone in the crowd can offer their bhoga from anywhere they
desired. The thousands upon thousands of devotees assembled then
began to give their offerings to Lord Jagannatha, and He began to
accept everything by His eyes. In this way, by trick, Sri Svarupa
Damodara, Sri Raya Ramananda, and Sri Nityananda Prabhu took Sri
Caitanya Mahaprabhu to that garden. Sriman Mahaprabhu was very
tired and laid down at the base of a tree, keeping His head on the
trees root. As He lay there He remembered the pastimes of Vrndavana
and wept.
In the meantime, Sarvabhauma
Bhattacarya, Svarupa Damodara, and especially Raya Ramananda told
King Prataparudra, This is the time. Leave your royal dress and
be like a simple devotee wearing a simple dhoti. Go to Sri
Caitanya Mahaprabhu and recite the verses of the Bhagavatam from
Gopi-gita. He will then be merciful to you. He will embrace you and
fulfill all your desires. King Prataparudra offered his obeisances
to Sri Nityananda Prabhu, Sri Advaita Acarya, the other devotees.
Then he slowly went to Sri Caitanya Mahaprabhu, sat near His lotus
feet, and began to recite Gopi-gita. He began from the first sloka
and gradually came to this sloka:
tava
kathamrtam tapta-jivanam
kavibhir iditam
kalmasapaham
sravana-mangalam srimad atatam
bhuvi grnanti ye bhuri-da janah
[The nectar of
Your words and the descriptions of Your activities are the life
and soul of those suffering in this material world. These
narrations, transmitted by learned sages, eradicate one's sinful
reactions and bestow good fortune upon whoever hears them. These
narrations are broadcast all over the world and are filled with
spiritual power. Certainly those who spread the message of Godhead
are most munificent. (SB 10.31.9)]
He sang
this in a very sweet tone. You are now hearing my tune, but you
cannot compare mine with his. His tune was millions of times
superior and His eyes were full of tears. As he sang he massaged
Mahaprabhus feet, and when the Lord heard this verse especially, He
regained consciousness and exclaimed, "Who are you? Who are you?
Without My asking you are giving Me so much high class of nectar.
I cannot repay you; I am a street beggar. Be merciful and
continue."
In this verse beginning tava
katamrtam tapta jivanam, the gopis are telling Krsna, We are
about to die without You. Krsna appeared to them, as a spurti,
and told them, "You should die at once Dont delay." Then the
gopis said, "How can we die? You are the reason we are not
dying."
Tava katamrtam discussions of Your
sweet pastimes is greater then nectar, and even greater then
heavenly nectar and moksamrta, the nectar of liberation. If we die,
who will hear that harikatha of Your nama, form and pastimes?
Tapta jivanam those who are greatly suffering will get life by
hearing these discussions. They will at once be relieved. This
harikatha is so much cooler then a cool breeze.
The word kavibhir is used because Lord Brahma, Lord
Sankara, Sri Sukadeva Gosvami, Sri Narada Gosvami, and Srila
Vyasadeva have all told the glories of Your harikatha. They have said
that one who hears it cannot die, and that is why we have not
died. Kalmasapaham: If anyone will hear your katha, all kinds of
karma, anarthas, sins and suffering will go away at once. This
statement is not a poets imagination; it is true to the fullest
extent.
Sravanam mangalanam. When one begins to
hear your pastimes, from that very moment all kinds of
qualifications and all kinds of auspiciousness will come to that
person. The whole world will know of him; his glories will be
everywhere. Bhuri da jana. Those who discuss and explain your
sweet pastimes are the greatest donors in the entire world.
Harikatha is the largest donation; the
greatest charity. You should realize this. You can never repay me and
my associates never.
Who is telling this?
Candravali or her sakhis. They are praying to Krsna, "Please come
at once. You have disappeared from us, so please come at once.
They pray in this way, but another group of gopis, Srimati Radhika
and her sakhis, are very angry by this cruel action of Krsna.
Srimati Radhika wants to forget Krsna, but She cannot. Krsna told Her
in the form of a sphurti, "Why are You not dying in My
separation? She replied with anger Tava katamrtam. Why are we not
dying? You are responsible for that. You are most cruel, and the
pastimes we are discussing are more then cruel.
We were very happy in our family life, serving our
husbands, children, fathers and mothers, but when we heard Your
pastimes our lives were at once changed. From that time onward we
began to die. Your pastimes are therefore like mrtya, very strong
poison; more poisonous than snakes.
We
realize this. Tapta jivanam. Your katha gives our lives so much
suffering because You are not here. It is therefore more poisonous
then a snakes venomous poison. Your glories are only the
imagination of poets.
A poet may write a
poem saying, "Jagannatha-deva's chariot was touching the sky." The
chariot was not touching the sky, but this has been written in
exaggeration. Even in Srimad Bhagavatam a poet wrote: "The horses
of Arjuna where running in the sky." What is this? Can it be?
Similarly, the gopis in Srimati Radhikas group are telling Lord
Krsna, Poets have glorified Your harikatha, but actually it is very
painful. Its glories are only the imagination of poets like Srila
Vyasadeva and Srila Sukadeva Gosvami. Kalmasapaham: some suffering
goes away, but it is replaced by more and more suffering. No one
should hear the sweet pastimes of Krsna, or that person will
always suffer. If you want to be happy with your family, don't
chant Krsnas name. Try to forget that black cheater; don't hear
harikatha. Sravana-mangalam. This is quite false. By hearing,
inauspicity will come. We have realization of this. At first we
were happy, but when we heard His katha our life became upset and
full of suffering. We have realization of this.
Srimad atatam. According to Srimati Radhika and Her group,
this point is more dangerous. If any devotee, with a shaven head,
wearing tilaka, kanti-mala and harinama-mala, holding a book under
his arm, announces, "Come on. Come here. Without any price, free
of cost, I will tell this harikatha, he is the greatest and most
dangerous cheater. He will spoil your life forever. Don't hear
from him; remember this always. If you see a devotee wearing
tilaka, kanti mala, and carrying a book, and especially in saffron
cloth, you should offer dandavat pranama from afar and run away.
This gopi, Srimati Radhika, is saying, Be
careful to avoid this dangerous person. Be far away. Don't chant;
from today, stop. There may be so many more meanings of this
verse depending on the nature of the different groups of gopis
uttering it.
Srila Sukadeva Gosvami is
explaining that if Sri Krsna Bhagavan is always with gopis,
dancing, singing and playing with them, then His katha is amrta;
otherwise it is mrtya.
Gaura
Premanande!
So now the gopis are in Kuruksetra
and Srimati Radhika is telling Krsna, You are a great
cheater.
ahus ca te nalina-nabha
padaravindam
yogesvarair hrdi vicintyam agadha-bodhaih
samsara-kupa-patitottaranavalambam
geham jusam api manasy
udiyat sada nah
[The gopis spoke thus: Dear Lord,
whose navel is just like a lotus flower, Your lotus feet are the
only shelter for those who have fallen into the deep well of
material existence. Your feet are worshiped and meditated upon by
great mystic yogis and highly learned philosophers. We wish that
these lotus feet may also be awakened within our hearts, although
we are only ordinary persons engaged in household affairs. (SB
10.82.48)]
What Sri Krsna is saying and Sri Radha
is saying, and what He then replies to Her, has been explained in
a beautiful way in Sri Caitanya-caritamrta.
On the fifth day, Hera Pancami, Bimala devi, Laksmi, came in
search of Krsna in Sundaracala, (Gundica Temple) and bound and
punished all of the associates of Jagannatha. They had to promise
that, Very soon, tomorrow, we will bring your husband. This is
Hera Pancami. So much sweet harikatha is there. Five days after
the Hera Pancami festival, Krsna returned to His own Jagannatha
temple, and the same krsna-katha, hari-kirtana and Mahaprabhus
dancing continued. If Jagannatha was going to Jagannatha Puri, that
is, Dvaraka or Kuruksetra, why did Mahaprabhu do so? Dont think
that He was returning. Even on that day, Caitanya Mahaprabhu
thought, I am taking My most beloved to Vrndavana. In Sri
Caitanya-caritamrta it has been written, In the same way
.
After completing the Chariot festival Sriman Mahaprabhu was invited
by many devotees to their homes, to honor great varieties of very
sweet preparations of prasadam.
We have thus
explained the essence of the Jagannatha festival, so try to
remember all of these topics and to do bhajana. Don't be weak.
I want to give so many thanks and blessing to those
persons who invited us to be here in Berlin. Especially, my
blessing to the boy, Radha-madhava brahmacari. Day and night he
did so much hard labor. And Radha-vinoda, you will have to make
the same chariot for our Vrndavana temple. It should have a very
beautiful shape.